造物=]的奇迹

剧情简介

Wund.[er der Schöpfung is a^#: n  extra=ordinary, f%=as,@c+].inati#ng Kul)/?turfi.\$lm #t-[ ryi@*ng to expla =in the whole h/?:uma%`=n knowledg+e o+!/f the 1920s abo:ut t $he_* w#.
orl%d and/ the uni v erse. 15 sp@ecia(l ;effects experts and 9 cameramen wer+\e in]/?vol!^[v+ed in the [productio-n of this film wh$(ich combines documen;ta[ry scenes, histor

@ic )al documen_+= ts, fict$`
ion eleme$@;n ts`, anim\ation scen:%es and e+ ducat$%ional imp@/^act.- ;^)-It it[]@:[s beauti:/ ful*]]ly col_o red=, using tinting !and toning ..in= a very ^, elabo/rated way. Som:$;e.# %%visual ide=,(as in the sequen$ce\,s with[: a ? space  %shuttle visiting differ ;en(.?(t planets i,+n the universe see.\m to have to be the . /inspiration `!for Stanley K*ubrick's 2001 A `,Space_= Od-`ys,=/sey.　)　In the c=ontext of \:*Ge#/rmany's @Ku ]ltu
rfilm phenomenon, Wunde r der Schöpf*`^ung was; among the greate
\st( achievement!s of the 192#*_0s.* The production w*]as construct @ed, reh# +earsed ^,, an d$+ ]sh%o\*t[\% ?;=over a period of two and$: a half years, u` /nder the supervision of Han+-ns Walte*r ??#(Ko.rn.^b/=_lum. .The id:])ea to d+,/:escribe th
%e u:_*n:$i #%vers!e and:\ m[an's *@@place in%$` it well suite]d
 UFA's Grossfil+* m menta=l_* ity;@^, o;.ne year bef\_ [or/:]e the Metr, ,opolis cat!+astrophe. +Hundreds of -skille d craft]_smen pa/=rtic.#@ipated  in the _proj=,=e`?ct,%! build]ing ($ #props and c-ons# truc^ting scale m/$.odels drawn b*y 15 :special\ effe. ]cts draughtsmen, while 9 cameramen in-) separ(ate uni$^ $ts worke:d on the historical,@_ documen@tary, ,:fiction, animation, and sc+@ -ience-fiction sequ_\ences. Without star r]oles or even prota@?gonists, the film's pl]?ot is crowd?ed wit$h me +[t-$]iculously! struc%(tured an*d skillfully acted  single scenes an artful mosai\c of sm#all vig
n((et:(te s.= ) /^No l; es)
s than four credite]#d ]:,universit/;]]y pr?of[^essors ensu;?red =the ,; fact@:ual background b;(eh+ind th#e:$ s+cie=ntific] and )h`istoric  [al events p-or_(trayed.　　The film's symbol of prog/_ress and the)[ new scienti .#_fic era is a spacecraft, travell]ing]# through t-[he \+Milky Way, making all ^]the pla nets and the.ir [-^ins!%  p +*iring wor^lds f)*amiliar to u%)s, with t
he extravaganz(a of t@h?%e`ir distinctiv-#(e features. The ^film's
edu*,cation?_[al i !nt,@entions,( however, becom-e st]%eadil=y more o._=bscur !e, humor #ous, or even [(campy ,/as th ,]is pop ul!?@+arizati\ on +( project ?)proceeds. !Wi,th the;^
e/`xcuse of $pres[#e\n?!ting th_#[e end of the world.%@* a not-_so-new%( concept a%]%s a new, _undeniab::ly scientific _;truth, #)the fi lm v ee#r ?s _ !hap_)@?p*ily[, a@long a new _path.%:., dis?%pla*\yi:]ng detailed
/* apocalyptic sce])n e _(s of t.h#e end o\f man kind. _\Fo\ _r today's !a_udien^^;\ces,%^ ?,[this ama!_-zing f=ilm\$ demonstrates how the univ?;_er?`se w!/!as co` !mp_rehe.[_( nded :in the^ 1^920s, and how^ @(that view was so.`ld?+ to contempo:ra*\ry a+-,udiences.